Photo by George Echevarria
Rosie Herrera is a Cuban-American choreographer and artistic director of Rosie Herrera Dance Theater in Miami. She has been commissioned by The American Dance Festival, Miami Light Project, Ballet Hispanico, Jose Limon Dance Company, New Dialect, Houston Met Dance, New World Symphony and Cincinnati Symphony Her work in film, theater, dance and cabaret has resulted in collaborations with Walter Mercado, Carlota Guerrero, Larry Keigwin, Pig Iron Theater and many more. She has received the United States Artists award, Princess Grace and Guggenheim Fellowship. She is the inaugural 2024 Knight Choreographic Fellow, and the 2025-26 Artist in Residence at Live Arts Miami.
Since their 2009 breakthrough work Various Stages of Drowning: A Cabaret, Rosie Herrera Dance Theatre has quickly become a beloved fixture in the contemporary arts scene in Miami and nationwide. Recent performances have included sold out shows at the American Dance Festival, The Adrienne Arsht Center for the Performing Arts of Miami Dade County, and The Baryshnikov Arts Center, as well as community-driven initiatives in the Miami area like the Hot N Heavy workshop series.
Works Available to Tour
*NDP Touring Subsidies Available (through 2029)
Premiere: March 2026, Live Arts Miami
Traveling cast & crew: 10-12 (7-9 performers, 1 director, 2 crew)
Tropical Depression investigates the force of nostalgia within the exile community and its ramifications in the personal, social, and political realm. This subversive cabaret/dance theater performance by Rosie Herrera Dance Theatre explores the complexities of identity, memory, and preservation. Conjuring Deși Arnaz, David Lynch, and Pina Baush, this work is joyful, surrealist celebration of immigrant life. Set against the current backdrop of political persecution and demonization of immigrants, Tropical Depression celebrates the glamor and beauty of the Caribbean, allowing for a provocative commentary on the ways in which cultural narratives shape collective identities over time.
Tropical Depression is a 2025 National Dance Project Production & Touring Grant recipient, in partnership with Live Arts Miami, Dance Place, and American Dance Festival.
Photo by George Echevarria
Premiere: 2022
Touring Cast: 9 (6 performers, 1 director, 2 crew) + 10-15 local community movement choir when possible
Devotion is the third and final work in a trilogy of dances that use religious iconography as a way to explore themes of love. It is specifically interested in the unique ways that women worship and specifically how we navigate intimacy in relationship to technology. Reimagining technology as an equalizing force that is not yet colonized, and that often times stands in opposition to nature, Devotion continues the research of the other works within the trilogy, Carne Viva and Make Believe, by deconstructing iconography of the Catholic Church as a way to bridge the gap between these symbols and their contemporary counterparts. This work aims to dissect our contemporary attitudes about faith and cast a more reverent eye on the rituals that we already engage in.
Devotion was commissioned by the American Dance Festival in 2022, with support from the Doris Duke/SHS Foundations Award for New Works. This program is supported in part by an award from the National Endowment for the Arts.
Photo by Ben McKeown
Premiere: 2018
Touring Cast: 10 (7 performers, 1 director, 2 crew)
Make Believe is the second in a trilogy of woks that uses religious iconography as a way to explore themes of romance. In it we explore religious spectacle and how these rituals are unified by themes of paganism, magic and celebrity worship. Make Believe deconstructs what it means to believe in magic and how that bleeds into our constructions of spirituality and our understanding of romance.
The development of this work was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation; additional support from the National Dance Project’s Production Residency in Dance program, with funding from the Andrew W. Mellon Foundation, and the National Dance Project’s Community Engagement Fund, with funding from the Doris Duke Charitable Foundation. Major support for this new work also comes from the MAP Fund, primarily supported by the Doris Duke Charitable Foundation with additional funds from the Andrew W. Mellon Foundation.
This work was co-commissioned by the American Dance Festival with support from the Doris Duke/SHS Foundations Award for New Works; The Yard, an artist residency and performance center dedicated to contemporary dance and related arts, as part of the 2018 Off-Shore Creation Residency; The Wilson Center at Cape Fear Community College; and the Contemporary Arts Center New Orleans. It was developed, in part, during a creative residency at the Maggie Allesee National Center for Choreography, The Yard, Miami Light Project, Miami Theater Center; and a technical production residency at The Wilson Center at Cape Fear Community College. Additional community engagement development for Make Believe was supported by the Alabama Dance Council as a grantee of Engaging Dance Audiences administered by Dance/USA and made possible with generous funding from the Doris Duke Charitable Foundation.
Photo by Jonathon Hsu
Premiere: 2017
Touring Cast: 6 (4 performers, 2 crew)
A quartet originally developed to be a part of Make Believe, Carne Viva is an exploration into the violence of transcendence. Loosely translated to mean “open wound” Carne Viva builds upon the themes of religion and romance for a work that is much sparser and physical than Herrera’s previous work. Brutal and elegant, Carne Viva is a visceral journey into the dichotomy of power within relationships.
Carne Viva was commissioned by The American Dance Festival with support from the Doris Duke/SHS Foundations Award for New Dance. Additional support provided by Hilton Durham near Duke University. The development of this work was made possible through the Alan M. Kriegsman Creative Residency at Dance Place and was created at The Yard, an artist residency and performance center dedicated to contemporary dance, theater and related arts, as part of the 2017 Off-Shore Creation Residency.
Past Touring
American Dance Festival, The Joyce Theater, Northrop (Minnesota, MN), Arsht Center for the Performing Arts (Miami, FL), Live Arts Miami, The Yard, Wilson Center at Cape Fear Community College (Wilmington, NC)
Press
One of the strongest and most original talents to emerge from Miami.
The Miami Herald
[Herrera is] both a way-out show-woman and hard-nosed cultural detective. Her gravest concerns can stir up a laugh riot while her pop soundtracks send audiences down the breeziest highways, with irony riding shotgun.
Guillermo Pérez, Dance Magazine
The template for dance theater has long been a European one, staked out by experimenters like Pina Bausch. Shaped by her Miami upbringing and Latino background, Rosie Herrera offers a new, intrinsically American vision of the genre.
Jordan Levin, Dance Magazine
Dining Alone stirs up memories of Pina Bausch’s works, but Herrera’s approach to dance theater, in addition to being more modest in scale, is lustier.
...earthy, poetic, beyond-dada imagination…
Deborah Jowitt, ArtsJournal
In a piece about appetites of all kinds, Herrera reveals a hunger that never abates- one that craves acceptance and love, but on its own off-kilter terms.
Caroline Palmer, Minnesota Star-Tribune